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Hindol Bramhbhatt’s paintings, though mostly two dimensional, are ‘painterly installations’. The incorporation of various methods of execution within his pictorial scheme is so pre-meditated that the works are layered not only in their physical appearance but also in subject related depth. They resonate with an outward simplicity of the subject matter that subtly hides and progressively heightens the inherent complexity of the message and the drama that the artist wants to convey.
Hindol recreates and relocates the known and the imagined visual references and fills them with alternative meanings. He chooses to distil his visual vocabulary to the minimum for the maximum effect. He treats his work as a documentation of historical reality in the contemporary context, seeking clues from social changes. Thus, emerges a universe that viewers can identify from a perspective.
Hindol Bramhbhatt’s paintings, though mostly two dimensional, are ‘painterly installations’. The incorporation of various methods of execution within his pictorial scheme is so pre-meditated that the works are layered not only in their physical appearance but also in subject related depth. They resonate with an outward simplicity of the subject matter that subtly hides and progressively heightens the inherent complexity of the message and the drama that the artist wants to convey.
Hindol recreates and relocates the known and the imagined visual references and fills them with alternative meanings. He chooses to distil his visual vocabulary to the minimum for the maximum effect. He treats his work as a documentation of historical reality in the contemporary context, seeking clues from social changes. Thus, emerges a universe that viewers can identify from a perspective.
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